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Winchester Lever Action Repeating Firearms : The Models of 1866, 1873 & 1876 (For Collectors Only)
The lever action repeating rifles produced by the Winchester Repeating Arms Company are easily the most famous and recognizable firearms in American history. For nearly 140 years, they have been intimately connected with American hunters, first in the opening of the West, and after the close of the frontier, have continued to hold the position of America's most popular hunting rifle. The story of the Winchester rifle begins with the Model 1866 and its famous predecessor, the Model 1873. They were the first practical repeating long arms that did not require the strength of a weight-lifter to carry them about. A long tube under the barrel held the cartridges which were admitted to the breech by moving a lever down and up. This both pushed the cartridge into the chamber and cocked the hammer. The shooter then aimed and pulled the trigger. Working the lever again ejected the spent case and placed another cartridge in the chamber for a fast follow-up shot. As with any other mechanical contrivance manufactured over long periods, changes and improvements were made to the Winchester rifles in the form of new parts. A M1873 rifle made in 1878 was not the same as a M1873 made in 1888 although to the untrained eye they may look the same. A collector of Winchester lever action repeating rifles and carbines wants to be assured that his Model 1873 is absolutely correct as the day it was manufactured. These are valuable artifacts of American history and are eagerly sought. Enough wrong parts can reduce the value of a particular Winchester by fifty percent or more. Arthur Pirkle's book provides collectors with the information needed to examine their Model 1866, 1873 or 1876 rifles and carbines and determine if each part is correct. The book also tells how to determine if the firearm has been refinished (reblued) which can also drastically reduce its value. Each part is described fully including markings and dimensions, any changes to that part are also described and everything is related to serial number ranges. Special appendixes describe special and valuable variations of the three rifles including those manufactured for the Canadian Northwest Mounted Police and special light and heavyweight hunting rifles. Assembly/Disassembly and cleaning information is given as is information on the "do's and don't's" of restoration. Updated and correct serial number lists are included. Special line drawings (for clarity) show all major and most minor parts including the wide variety of front and rear sights..
Price: $15.95
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The Repeating Island: The Caribbean and the Postmodern Perspective (Post-Contemporary Interventions)
In this second edition of The Repeating Island, Antonio Benítez-Rojo, a master of the historical novel, short story, and critical essay, continues to confront the legacy and myths of colonialism. This co-winner of the 1993 MLA Katherine Singer Kovacs Prize has been expanded to include three entirely new chapters that add a Lacanian perspective and a view of the carnivalesque to an already brilliant interpretive study of Caribbean culture. As he did in the first edition, Benítez-Rojo redefines the Caribbean by drawing on history, economics, sociology, cultural anthropology, psychoanalysis, literary theory, and nonlinear mathematics. His point of departure is chaos theory, which holds that order and disorder are not the antithesis of each other in nature but function as mutually generative phenomena. Benítez-Rojo argues that within the apparent disorder of the Caribbean—the area’s discontinuous landmasses, its different colonial histories, ethnic groups, languages, traditions, and politics—there emerges an “island” of paradoxes that repeats itself and gives shape to an unexpected and complex sociocultural archipelago. Benítez-Rojo illustrates this unique form of identity with powerful readings of texts by Las Casas, Guillén, Carpentier, García Márquez, Walcott, Harris, Buitrago, and Rodríguez Juliá. .
Price: $22.45
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Repeating Ourselves: American Minimal Music as Cultural Practice
Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education..
Price: $17.93
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Repeating the Words of the Buddha
Tulku Urgyen Rinpoche spent many years in retreat, assimilating the teachings within his experience He spoke with humor and true understanding, expressing plainly and simply what he himself had undergone. Consequently, his teachings are uniquely accessible, with a powerfully beneficial impact on those who hear or read his words. This book, a selection of his oral and written teachings, spells out the essential points of spiritual practice and leads readers along the same path they would follow in the presence of a master. Through direct, pithy instructions, students are encouraged to question the master repeatedly, while at the same time processing their own experiences. Representing the heart of Rinpoche’s teachings, Repeating the Words of the Buddha shows that the enlightened essence is present within the mind of any sentient being, and that it can be recognized by all who seek it..
Price: $7.00
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Worth Repeating: More Than 5,000 Classic and Contemporary Quotes
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Remembering and Repeating: Biblical Creation in 'Paradise Lost'
As a reinterpretation of Milton, this study engages the ideas of Freud, Nietzsche, and Derrida However, the author derives her thesis from Milton's own debt to ancient Biblical sources The Bible, says Schwartz, offers Milton a pattern of repeated beginnings that informs his depiction of the universe and characterizes his poetic and interpretative processes. This original reading of the Bible enables a powerful rereading of Paradise Lost..
Price: $89.10
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