Books about Recording from Amazon.com

1,000 Recordings to Hear Before You Die (1,000 Before You Die)
The musical adventure of a lifetime The most exciting book on music in years. A book of treasure, a book of discovery, a book to open your ears to new worlds of pleasure Doing for music what Patricia Schultz—author of the phenomenal 1,000 Places to See Before You Die—does for travel, Tom Moon recommends 1,000 recordings guaranteed to give listeners the joy, the mystery, the revelation, the sheer fun of great music.

This is a book both broad and deep, drawing from the diverse worlds of classical, jazz, rock, pop, blues, country, folk, musicals, hip-hop, world, opera, soundtracks, and more. It's arranged alphabetically by artist to create the kind of unexpected juxtapositions that break down genre bias and broaden listeners’ horizons— it makes every listener a seeker, actively pursuing new artists and new sounds, and reconfirming the greatness of the classics. Flanking J. S. Bach and his six entries, for example, are the little-known R&B singer Baby Huey and the '80s Rastafarian hard-core punk band Bad Brains. Farther down the list: The Band, Samuel Barber, Cecelia Bartoli, Count Basie, and Afropop star Waldemer Bastos.

Each entry is passionately written, with expert listening notes, fascinating anecdotes, and the occasional perfect quote—"Your collection could be filled with nothing but music from Ray Charles," said Tom Waits, "and you'd have a completely balanced diet." Every entry identifies key tracks, additional works by the artist, and where to go next. And in the back, indexes and playlists for different moods and occasions..
Price: $11.82 [Notify me when price goes down.]


The Essential Barack Obama: The Grammy Award-Winning Recordings
A CD collection featuring the best-selling audiobooks, The Audacity of Hope and Dreams from My Father from Grammy® award-winning author, Barack Obama.


The Audacity of Hope

In July 2004, Barack Obama electrified the Democratic National Convention with an address that spoke to Americans across the political spectrum. One phrase in particular anchored itself in listeners’ minds, a reminder that for all the discord and struggle to be found in our history as a nation, we have always been guided by a dogged optimism in the future, or what Senator Obama called “the audacity of hope.”

Now, in The Audacity of Hope, Senator Obama calls for a different brand of politics–a politics for those weary of bitter partisanship and alienated by the “endless clash of armies” we see in congress and on the campaign trail; a politics rooted in the faith, inclusiveness, and nobility of spirit at the heart of “our improbable experiment in democracy.” He explores those forces–from the fear of losing to the perpetual need to raise money to the power of the media–that can stifle even the best-intentioned politician. He also writes, with surprising intimacy and self-deprecating humor, about settling in as a senator, seeking to balance the demands of public service and family life, and his own deepening religious commitment.

At the heart of this book is Senator Obama’s vision of how we can move beyond our divisions to tackle concrete problems. He examines the growing economic insecurity of American families, the racial and religious tensions within the body politic, and the transnational threats–from terrorism to pandemic–that gather beyond our shores. And he grapples with the role that faith plays in a democracy–where it is vital and where it must never intrude. Underlying his stories about family, friends, members of the Senate, even the president, is a vigorous search for connection: the foundation for a radically hopeful political consensus.

A senator and a lawyer, a professor and a father, a Christian and a skeptic, and above all a student of history and human nature, Senator Obama has written a book of transforming power. Only by returning to the principles that gave birth to our Constitution, he says, can Americans repair a political process that is broken, and restore to working order a government that has fallen dangerously out of touch with millions of ordinary Americans. Those Americans are out there, he writes–“waiting for Republicans and Democrats to catch up with them.”

Dreams from My Father
In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more as a myth than as a man—has been killed in a car accident. This sudden death inspires an emotional odyssey—first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father’s life, and at last reconciles his divided inheritance..
Price: $24.87 [Notify me when price goes down.]


Leonard Maltin's 2009 Movie Guide (Leonard Maltin's Movie Guide (Signet))
The most authoritative book in the field, now with more entries than ever before, updated and revised for 2009..
Price: $5.98 [Notify me when price goes down.]


William Eggleston: Democratic Camera, Photographs and Video, 1961-2008 (Whitney Museum of American Art)

Elvis’s Graceland, a freezer stuffed with food, a Gulf gasoline sign standing in a deserted rural landscape—these are only a few of the iconic images captured by the “democratic camera” of photographer William Eggleston. Not only has he drawn upon images so telling of American culture, he has produced them with an intensity and balance of color that have helped elevate the entire field of color photography to a fine art, especially since his 1976 exhibition at the Museum of Modern Art.

 

Drawing together Eggleston’s famous and lesser-known works, this lavishly illustrated catalogue is the first to examine both his photography and videos. Of particular relevance are his black-and-white images from the late 1950s and 1960s, which helped shape his color photography, as well as the relationship between his provocative video recordings of 1970s Memphis nightlife and his later work. Included are reproductions of newly restored prints, executed specifically for the exhibition.

 

Filled with new and challenging contributions to scholarship and accompanying the first major U.S. survey of his work, this catalogue will prove the standard reference for Eggleston’s photographs for years to come.

 

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Price: $40.95 [Notify me when price goes down.]


Bumping Into Geniuses: My Life Inside the Rock and Roll Business
A giant of the music industry grants an all-access pass to the world of rock and roll, with mesmerizing stories of thirty-five years spent working with legends from Led Zeppelin, to Stevie Nicks, to Nirvana

Danny Goldberg has been a hugely influential figure in the world of rock and roll. He did PR for Led Zeppelin; he managed the career of Nirvana; he ran Atlantic Records, Mercury Records, and Warner Bros. Records; he launched Stevie Nicks’s solo career. In Bumping into Geniuses, Goldberg shares his stories about performers who represent a broad and powerful portion of the psychic real estate of the rock and roll kingdom: Patti Smith, Warren Zevon, Bruce Springsteen, KISS, Kurt Cobain and Nirvana, Hole, Stevie Nicks, Bonnie Raitt, Steve Earle, Led Zeppelin, and more.

But there’s more to this story than just Goldberg’s varied career. It’s also a look at the industry itself: a business that was neither the romantic vehicle for self-expression that its most naive fans imagined, nor the purely crass money machine depicted by its most cynical critics. It was complex and chaotic—a mixture of art and commerce, idealism and selfishness—and sometimes, rock’s most gifted and influential musicians were able to transcend it all.

For anyone interested in the rock and roll industry, or simply the mores and temperaments of the musicians themselves, Bumping into Geniuses is an incredible insider’s tale that only Goldberg could tell..
Price: $12.95 [Notify me when price goes down.]


Apple Pro Training Series: Logic Pro 8 and Logic Express 8 (Apple Pro Training)
This brand-new Apple-certified guide, reconceived for Logic's new interface, uses all-new projects and media files to show you how to record, produce, and polish your musical creations with Apple's professional audio software Veteran audio producer David Nahmani uses step-by-step, project-based instruction and straightforward explanations to teach everything from basic music creation to advanced production techniques.Using the book's DVD files and either Logic Pro 8 or Logic Express 8, you'll begin making music in the first lesson. From there, you'll learn to record audio and MIDI, edit sequences, master mixing techniques, and use Logic's software synthesizers, sampler, and digital signal processors to put the perfect aural polish on your audio creations. A special troubleshooting section helps you set up and optimize your studio and Logic system effectively. Whether you're looking to use your computer as a digital recording studio, create musical compositions and cutting-edge surround-sound mixes, or transfer that song in your head into living music, this comprehensive book/DVD combo will show you how..
Price: $33.76 [Notify me when price goes down.]


iPhone: The Missing Manual

iPhone: The Missing Manual Sneak Preview: David Pogue's Favorite iPhone Tricks

David Pogue with his iPhone

The iPhone's finger-driven interface seems natural and obvious But when you really think about it, making it seem that way was no easy task. There are no menus in the iPhone software, for example, and no checkboxes or radio buttons. Everything on the screen has to be big enough for a fleshy fingertip.

On the other hand, the finger makes an outstanding pointing device; heck, you've been pointing with it all your life. It's much faster to scroll diagonally with a fingertip, for example, than with fussy adjustments on two different scroll bars.

Here, then, are some of the iPhone's unadvertised taps, double-taps, and other shortcuts, all culled from iPhone: The Missing Manual.

Double-Tapping

Double-tapping is actually pretty rare on the iPhone. It's not like the Mac or Windows, where double-clicking the mouse means "open." On the iPhone, you open something with one tap.

A double tap, therefore, is reserved for three functions:

  • In Photos, Google Maps, and Safari (the Web browser), double-tapping zooms in on whatever you tap, magnifying it by a factor of two.
  • In the same programs, as well as Mail, double-tapping means, "restore to original size" after you've zoomed in. (Weirdly, in Google Maps, you use a different gesture to zoom out: tap once with two fingers. That gesture appears nowhere else on the iPhone.)
  • When you're watching a video, double-tapping eliminates or restores letterbox bars.

See, the iPhone's screen is bright, vibrant, and stunningly sharp. It's not, however, the right shape for videos. Standard TV shows are squarish, not rectangular. So when you watch TV shows, you get black letterbox columns on either side of the picture.

Movies have the opposite problem. They're too wide for the iPhone screen. So when you watch movies, you wind up with letterbox bars above and below the picture. Some people are fine with that. At least when letterbox bars are onscreen, you know you're seeing the complete composition of the scene the director intended. Other people can't stand letterbox bars. You're already watching on a pretty small screen; why sacrifice some of that precious area to black bars? That's why the iPhone gives you a choice. If you double-tap the video as it plays, you zoom in, magnifying the image so that it fills the entire screen. Part of the image is now off the screen; now you're not seeing the entire composition originally broadcast. You lose the top and bottom of TV scenes, or the left and right edges of movie scenes. If this effect winds up chopping off something important--some text on the screen, for example--restoring the original letterbox view is just another double-tap away.

Secrets of the Sensors

The iPhone has three cool sensors. First, it has an accelerometer that detects when you've rotated the iPhone into landscape orientation. In programs like Photos, Safari, and iPod, it triggers the screen image to rotate as well.

Camouflaged behind the black glass where you can't see them except with a bright flashlight are two more sensors: a proximity sensor that shuts off the screen illumination and touch sensitivity when the phone is against your head (it works only in the Phone application), and an ambient-light sensor that brightens the display when you're in sunlight and dims it in darker places.

Apple says that it experimented with having the light sensor active all the time, but it was weird to have the screen get brighter and darker all the time. So the sensor now samples the ambient light, and adjusts the brightness; it does this only once--each time you unlock the phone after waking it.

You can use that tip to your advantage. By covering up the sensor (just above the earpiece) as you unlock the phone, you force it to a low-power, dim screen-brightness setting (because the phone believes that it's in a dark room). Or by holding it up to a light as you wake it, you get full brightness. In both cases, you've saved all the taps and navigation it would have taken you to find the manual brightness slider in Settings.

Earbud Cord Switch

Without close inspection, you'd have a hard time telling the iPhone's white stereo earbuds apart from a regular iPod's--but don't get them mixed up. The iPhone's earbuds have a tiny, embedded clicker/microphone partway down the right earbud cord.

That's right, "clicker/microphone." The tiny bulge is the microphone for phone calls. But if you pinch the bulge, you'll find that it clicks.

  • Pinch once to answer an incoming phone call. Pinch for a couple seconds to dump the call to voicemail. (You can also double-tap the Sleep/Wake switch on top of the iPhone to send the call to voicemail.)
  • During music or video playback, pinch once to pause the music; pinch again to resume playback.
  • During music playback, double-pinch to skip to the next song.

Customizing the iPod Buttons

The iPod module on the iPhone starts out with buttons along the bottom for summoning four lists: Playlists, Artists, Songs, and Videos.

But what about Albums? Genres? Composers? They're there, all right, but hidden; you have to tap More to see them.

But what if you use those lists more often than Artists or Songs? No problem: you can replace one of those starter buttons with a list of your own.

Tap More, and then tap the Edit button (upper-left corner). You arrive at the Configure screen. Here's the complete list of music-and-video sorting lists: Albums, Podcasts, Audiobooks, Genres, Composers, Compilations, Playlists, Artists, Songs, and Videos.

To replace one of the four starter icons, use a finger to drag an icon from the top half of the screen downward, directly onto the existing icon you want to replace. It lights up to show the success of your drag.

When you release your finger, you'll see that the new icon has replaced the old one. Tap Done in the upper-right corner.

Keyboard Speedups

Don't bother using the Shift key to capitalize a new sentence. The iPhone does that capitalizing automatically. Don't put apostrophes in contractions, either; the iPhone will put those in for you, too.

Force Quit, Reset

The iPhone is pretty darned simple and stable, but it's still a computer. In times of troubleshooting, these tips may come in handy:

  • Force quit a program. Press and hold the Home button for six seconds to force-quit a program that seems to be stuck.
  • Reset. If the entire iPhone locks up--it can happen--press and hold both the Home button and the Sleep/Wake switch for eight seconds. You'll see the screen go black, and then the Apple logo appears as the iPhone reboots.



McCallum's Awesome iPhone Period-Typing Shortcut

I have in my possession a nugget, a secret bit of iPhone information that's so valuable, such a headache- and time-saver, that I don't know what to do with it.

One voice in my head says, "Hoard it! Keep it a secret until your book is published! If you reveal it, it'll be all over the Net in hours, and all your competitors' books will have it, too."

But another voice says, "But this information is too good to keep quiet. Plus, you didn't discover it yourself. And besides, you're not gonna starve, either way."

Eventually, the second little voice prevailed. I'm going to share with you the solution to one of the most annoying things, if not THE most annoying thing, about typing on the iPhone:

The punctuation keys and alphabet keys appear in two different keyboard layouts.

So every time you want to type a period or a comma, it's a three-step, awkward dance: (1) Tap the ".?123" key in the lower left to summon the punctuation layout. (2) Type the period. (3) Type the ABC key in the lower left to return to the alphabet layout.

Imagine how excruciating it is to type, for example, "a P.O. Box in the U.S.A.!" That's 34 finger taps and 10 mode changes!

And therefore imagine how thrilled I was to receive an email from reader Andrew McCallum, containing a method of typing a period or a comma with only a SINGLE finger gesture.

The iPhone doesn't register most key presses until you *release* your finger. But Andrew discovered that the Shift and Punctuation keys register their taps on the *press-down* instead.

So here's what you can do, all in one motion:

1. Touch the ".?123" key, but don't lift your finger as the punctuation layout appears.

2. Slide your finger a half inch onto the period or comma key, and release.

Incredibly, the ABC layout returns automatically. You've typed a period or a comma with one finger touch instead of three. In fact, you can type ANY of the punctuation symbols the same way.

This makes a HUGE difference in the usability of the keyboard.

Type on, bro.


Book Description
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Price: $10.45 [Notify me when price goes down.]

The Penguin Guide to Recorded Classical Music 2009 (Penguin Guide to Recorded Classical Music)
This has remained the best and most successful guide to classical music for more than forty years. Fully revised by its team of eminent authors and written with wit and passion, The Penguin Guide to Recorded Classical Music offers reviews of all the latest releases as well as the finest established recordings. It also includes an overview of the greatest historic performances, major period instrument recordings, an in-depth survey of the best of the budget-priced CDs, and the core collection of 100 handpicked, must-have CDs. Now published annually for the first time, this book is essential reading for every serious classical music fan..
Price: $23.10 [Notify me when price goes down.]


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