Books about Nuclear from Amazon.com

Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including the bestselling No Country for Old Men, and The Road. Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham

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Guest Reviewer: Dennis Lehane

Dennis Lehane, master of the hard-boiled thriller, generated a cult following with his series about private investigators Patrick Kenzie and Angela Gennaro, wowed readers with the intense and gut-wrenching Mystic River, blew fans all away with the mind-bending Shutter Island, and switches gears with Coronado, his new collection of gritty short stories (and one play).

Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane

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In October 1962, at the height of the Cold War, the United States and the Soviet Union appeared to be sliding inexorably toward a nuclear conflict over the placement of missiles in Cuba. Veteran Washington Post reporter Michael Dobbs has pored over previously untapped American, Soviet, and Cuban sources to produce the most authoritative book yet on the Cuban missile crisis. In his hour-by-hour chronicle of those near-fatal days, Dobbs reveals some startling new incidents that illustrate how close we came to Armageddon.

Here, for the first time, are gripping accounts of Khrushchev’s plan to destroy the U.S. naval base at Guantánamo; the accidental overflight of the Soviet Union by an American spy plane; the movement of Soviet nuclear warheads around Cuba during the tensest days of the crisis; the activities of CIA agents inside Cuba; and the crash landing of an American F-106 jet with a live nuclear weapon on board.

Dobbs takes us inside the White House and the Kremlin as Kennedy and Khrushchev—rational, intelligent men separated by an ocean of ideological suspicion—agonize over the possibility of war. He shows how these two leaders recognized the terrifying realities of the nuclear age while Castro—never swayed by conventional political considerations—demonstrated the messianic ambition of a man selected by history for a unique mission. As the story unfolds, Dobbs brings us onto the decks of American ships patrolling Cuba; inside sweltering Soviet submarines and missile units as they ready their warheads; and onto the streets of Miami, where anti-Castro exiles plot the dictator’s overthrow.

Based on exhaustive new research and told in breathtaking prose, here is a riveting account of history’s most dangerous hours, full of lessons for our time.

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When the atomic bomb was dropped on Hiroshima, few could have anticipated its potential for devastation Pulitzer prize-winning author John Hersey recorded the stories of Hiroshima residents shortly after the explosion and, in 1946, Hiroshima was published, giving the world first-hand accounts from people who had survived it. The words of Miss Sasaki, Dr. Fujii, Mrs. Nakamara, Father Kleinsorg, Dr. Sasaki, and the Reverend Tanimoto gave a face to the statistics that saturated the media and solicited an overwhelming public response. Whether you believe the bomb made the difference in the war or that it should never have been dropped, "Hiroshima" is a must read for all of us who live in the shadow of armed conflict..
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Strength of the book is the writing style, with an approach that builds from the simple to the complex Principles of Radiographic Imaging presents clear and concise information on radiographic contrast, density, detail and distortion, and ties those concepts together to present an overall picture of radiographic exposure. Radiographic Imaging is a required part of the Radiologic Technology curriculum, so any student who is studying to be a Radiologic Technologist, will need a book such as this to complete the curriculum..
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In a page-turning narrative that reads like a thriller, an award-winning journalist exposes the troubling truth behind the world’s first act of nuclear terrorism.

On November 1, 2006, Alexander Litvinenko sipped tea in London’s Millennium Hotel. Hours later the Russian émigré and former intelligence officer, who was sharply critical of Russian president Vladimir Putin, fell ill and within days was rushed to the hospital. Fatally poisoned by a rare radioactive isotope slipped into his drink, Litvinenko issued a dramatic deathbed statement accusing Putin himself of engineering his murder.Alan S. Cowell, then London Bureau Chief of the New York Times, who covered the story from its inception, has written the definitive story of this assassination and of the profound international implications of this first act of nuclear terrorism.

Who was Alexander Litvinenko? What had happened in Russia since the end of the cold war to make his life there untenable and in severe jeopardy even in England, the country that had granted him asylum? And how did he really die? The life of Alexander Litvinenko provides a riveting narrative in its own right, culminating in an event that rang alarm bells among western governments at the ease with which radioactive materials were deployed in a major Western capital to commit a unique crime. But it also evokes a wide range of other issues: Russia's lurch to authoritarianism, the return of the KGB to the Kremlin, the perils of a new cold war driven by Russia's oil riches and Vladimir Putin's thirst for power.

Cowell provides a remarkable and detailed reconstruction both of how Litvinenko died and of the issues surrounding his murder. Drawing on exclusive reporting from Britain, Russia, Italy, France, Germany, Austria, Switzerland, and the United States, he traces in unprecedented detail the polonium trail leading from Russia's closed nuclear cities through Moscow and Hamburg to the Millenium Hotel in central London. He provides the most detailed step-by-step explanation of how and where polonium was found; how the assassins tried on several occasions to kill Litvinenko; and how they bungled a conspiracy that may have had more targets than Litvinenko himself. 

With a colorful cast that includes the tycoons, spies, and killers who surrounded Litvinenko in the roller-coaster Russia of the 1990s, as well as the émigrés who flocked to London in such numbers that the British capital earned the sobriquet “Londongrad,” this book lays out the events that allowed an accused killer to escape prosecution in a delicate diplomatic minuet that helped save face for the authorities in London and Moscow.

A masterful work of investigative reporting, The Terminal Spy offers unprecedented insight into one of the most chilling true stories of our time.

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The “dean of Cold War historians” (The New York Times) now presents the definitive account of the global confrontation that dominated the last half of the twentieth century. Drawing on newly opened archives and the reminiscences of the major players, John Lewis Gaddis explains not just what happened but why—from the months in 1945 when the U.S. and the U.S.S.R. went from alliance to antagonism to the barely averted holocaust of the Cuban Missile Crisis to the maneuvers of Nixon and Mao, Reagan and Gorbachev. Brilliant, accessible, almost Shakespearean in its drama, The Cold War stands as a triumphant summation of the era that, more than any other, shaped our own..
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The classic apocalyptic novel that stunned the world.

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Walter M. Miller's acclaimed SF classic A Canticle for Leibowitz opens with the accidental excavation of a holy artifact: a creased, brittle memo scrawled by the hand of the blessed Saint Leibowitz, that reads: "Pound pastrami, can kraut, six bagels--bring home for Emma." To the Brothers of Saint Leibowitz, this sacred shopping list penned by an obscure, 20th-century engineer is a symbol of hope from the distant past, from before the Simplification, the fiery atomic holocaust that plunged the earth into darkness and ignorance. As 1984 cautioned against Stalinism, so 1959's A Canticle for Leibowitz warns of the threat and implications of nuclear annihilation. Following a cloister of monks in their Utah abbey over some six or seven hundred years, the funny but bleak Canticle tackles the sociological and religious implications of the cyclical rise and fall of civilization, questioning whether humanity can hope for more than repeating its own history. Divided into three sections--Fiat Homo (Let There Be Man), Fiat Lux (Let There Be Light), and Fiat Voluntas Tua (Thy Will Be Done)--Canticle is steeped in Catholicism and Latin, exploring the fascinating, seemingly capricious process of how and why a person is canonized. --Paul Hughes.
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