|
|
|
Annie Leibovitz at Work
Book Description
“The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it."
—Annie Leibovitz Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras. Amazon Exclusive Essay: Annie Leibovitz on Photography In 1977, when Jann Wenner, the editor of Rolling Stone, asked me to prepare a fifty-page portfolio of my pictures for the tenth anniversary issue of the magazine, I decided not to simply make a selection of photographs that had been published. I looked at everything I had done since I started working. It was a revelation. For one thing, I had no idea that I had accumulated so many photographs. You lose track of them when you’re working every day. And you see the work in a different way when you look at it from the distance of time. You get a sense of where you are going. You start to see a life.
I had the opportunity to edit my work most thoroughly when I prepared two retrospective books, Annie Leibovitz: 1970–1990 and A Photographer’s Life: 1990–2005. It was thrilling to see that first book laid out chronologically. To see the pictures historically. The second book, A Photographer’s Life, was assembled immediately after the death of Susan Sontag and my father. Editing the book took me through the grieving process. The books are pure. They are mine. The magazines I work for don’t belong to me. It’s the editor’s magazine, and the editor has every right to use the material the way he or she wants to. It isn’t just that art directors and editors at magazines make selections that I wouldn’t necessarily make. Which they sometimes do. Or that they run pictures too small. Or that they put so much type on the pictures that you can’t see them anymore. Magazines have quite specific needs. It’s a collaboration only so far, which is true of almost all assignment work. When I began working on my new book, I thought it would be a pamphlet of maybe forty pages or so. I intended to take ten of my photographs and dissect them. They didn’t have to be my most famous pictures, just pictures that I cared about. But as I began going through the material I realized that I might as well be more ambitious. I started to think that I would try to answer every single question anyone has ever asked about how my work is done. To defuse the mystery, and the misconceptions. To explain that it’s nothing more than work. And learning how to see. So my forty-page pamphlet became a 240-page book with over a hundred photographs in it. It is written for someone like the person I was at the beginning of my career, when I was in art school. A young me. I didn’t know which road I would take. Whether it would be a commercial road, a magazine road, an artistic road, a journalistic road. It’s written for that person. Someone who is interested in photography but isn’t sure how they want to use it. The book is more emotional than I had imagined it would be. But, most importantly, it is my edit. No one is going to care about, or understand, your work the way you do, and if you are going to explain it you have to be able to present it the way you want to. That’s what a book can do better than any other medium. See Annie Leibovitz's 15 favorite photography books. (Photo credit Paul Gilmore) .
Price: $20.00
[ Notify me when price goes down.]
|
|
Case in Point:Complete Case Interview Preparation - 5th edition
|
|
Complete Vampire Chronicles (Interview with the Vampire, The Vampire Lestat, The Queen of the Damned, The Tale of the body Thief)
|
|
O's Big Book of Happiness: The Best of O, The Oprah Magazine: Wisdom, Wit, Advice, Interviews, and Inspiration
You can't buy happiness, so why not grow your own? All you need is a piece of fertile ground (your beautiful mind) plus some hardy seeds of wisdom, creativity, and plain good sense. In this inspiring new collection from the pages of O, The Oprah Magazine, more than 75 warm, wise, and insightful contributors write about beating the blues, dropping the weight, kissing fear goodbye, making your dreams real, and putting your best face forward (with a little help from the right haircut, of course). O's Big Book of Happiness offers you more than 100 wonderfully written, empowering articles that will turn your life around, whether you're fighting loneliness, illness, self-doubt, or a crisis of faith. World-class writers, artists, entrepreneurs, and political leaders, such as Alice Sebold, David Sedaris, Elizabeth Swados, Richard Branson, and Barack Obama, open a window on the life lessons that have galvanized them and set them on the road to joy. Among the in-house experts offering advice and comfort, financial adviser Suze Orman defuses the minefields of money management, and life coach Martha Beck clues you in on how to handle your most intractable critic—you!—while Dr. Phil sheds light on the push-me-pull-you confusion of intimate relationships. Be prepared for unconditional honesty and reality-based solutions, even if you think you've hit bottom and there's no place left to go. As Oprah writes in one of her essays, "Everything in life happens to help us live." Have you ever wondered : - What's the secret to getting in shape—and staying that way? Rebecca Skloot tells you how to trick your brain into actually craving diet and exercise (page 10), while O's Mental Health Kit offers therapist-tested techniques for getting your life back in balance (page 46), and Oprah discusses how the best healthcare begins with self care (page 61).
- When your worst-case scenario finally happens, how do you carry on? Onetime war correspondent Geraldine Brooks writes that a diagnosis of cancer, which she once feared more than terrorist bullets, proved to be a path to grace (page 36). Beverly Donofrio tells how she endured a rapist's violent attack by refusing to say yes to despair (page 74), and meditation teacher Sharon Salzberg explains how to make those crucial human connections that are guaranteed to melt away loneliness and refresh your faith (page 149).
- Are there any surefire ways to sidestep relationship pitfalls? O's writers investigate an exciting new therapy that could keep you from falling for that bad-news guy—again (page 172)—and a nontalking cure that just might save a compassion-starved marriage (page 180). Lauren Slater explores the price some of us are willing to pay for love—even when it has four legs and a tail (page 214).
- How's your brilliant career going? O's in-the-trenches experts tell you how to soothe the savage boss (page 226) as well as take a risk, reconnect with your wildest ambitions, and embark on the professional life youÕve always dreamed about (page 232).
.
Price: $14.90
[ Notify me when price goes down.]
|
|
The Jazz Ear: Conversations over Music
An intimate exploration into the musical genius of fifteen living jazz legends, from the longtime New York Times jazz critic Jazz is conducted almost wordlessly: John Coltrane rarely told his quartet what to do, and Miles Davis famously gave his group only the barest instructions before recording his masterpiece “Kind of Blue.” Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. In The Jazz Ear, the acclaimed music critic Ben Ratliff sits down with jazz greats to discuss recordings by the musicians who most influenced them. In the process, he skillfully coaxes out a profound understanding of the men and women themselves, the context of their work, and how jazz—from horn blare to drum riff—is created conceptually. Expanding on his popular interviews for The New York Times, Ratliff speaks with Sonny Rollins, Ornette Coleman, Branford Marsalis, Dianne Reeves, Wayne Shorter, Joshua Redman, and others about the subtle variations in generation, training, and attitude that define their music. Playful and keenly insightful, The Jazz Ear is a revelatory exploration of a unique way of making and hearing music. .
Price: $15.12
[ Notify me when price goes down.]
|
|
Working: People Talk About What They Do All Day and How They Feel About What They Do
Studs Terkel records the voices of America Men and women from every walk of life talk to him, telling him of their likes and dislikes, fears, problems, and happinesses on the job. Once again, Terkel has created a rich and unique document that is as simple as conversation, but as subtle and heartfelt as the meaning of our lives.... In the first trade paperback edition of his national bestseller, Pulitzer Prize-winning author Studs Terkel presents "the real American experience" (Chicago Daily News)--"a magnificent book . . .. A work of art. To read it is to hear America talking." (Boston Globe)..
Price: $10.00
[ Notify me when price goes down.]
|
|
Voices of Our Time: Five Decades of Studs Terkel Interviews
From the 1950s through 1997, Louis “Studs” Terkel, bestselling author of Hard Times, Working, The Great War, Coming of Age, and eight other books, hosted a daily one-hour show on WFMT Radio in Chicago This nationally syndicated, Peabody Award-winning program was an ideal showcase for his curmudgeonly wit, his maverick opinions, and his genius as an interviewer. The 48 interviews in this collection, span Terkel’s five decades on radio and encompass a wide range of entertainers, scientists, writers and thinkers, including Dorothy Parker, Pete Seeger, Bob Woodward, Simone de Beauvoir, and many more..
Price: $23.07
[ Notify me when price goes down.]
|
|
Listening Is an Act of Love: A Celebration of American Life from the StoryCorps Project
Drawn from the work of StoryCorps, the largest and most ambitious oral history project in American history, comes this tapestry of the stories Americans have been sharing from their lives to leave behind to their loved ones. In its two permanent public recording booths in New York City, at Grand Central and at Ground Zero, and its two mobile booths touring the country, StoryCorps, the most ambitious oral history project in American history, has collected the memories of people from all fifty states and every imaginable walk of life, background, identity group, age, and state of mind-more than ten-thousand in all. It is a wondrous nationwide celebration of our shared humanity, capturing for posterity the stories that define us and bond us together. In small towns and big cities, from Indian reservations in the Pacific Northwest to army bases in North Carolina, StoryCorps has brought people together to share the treasures of their lives in story. In Listening Is an Act of Love, Dave Isay selects the most remarkable stories from the entire astonishing pool of memories. He arranges them thematically to form a mosaic of American life and binds them together with the history and principles of the StoryCorps project. The voices here connect us to a broad range of real people whose lives are filled with ordinary, extraordinary things-joy, sadness, courage, meaning, despair, good work and bad work, good times and hard times. To read this book is to be reminded how wildly varied and interesting Americans really are, how resistant to easy categorization and caricatures. Above all, this book is a way to honor the gift of meaning that each participant in StoryCorps has made, out of the raw stuff of his or her life, to the people who come after. In a very real sense, we are our history, individually and collectively, as Listening Is an Act of Love so powerfully reminds us..
Price: $12.25
[Notify me when price goes down.]
|
|
Being Catholic Now: Prominent Americans Talk About Change in the Church and the Quest for Meaning
For Kerry Kennedy, who grew up in a devoutly Catholic household coping with great loss, her family’s faith was a constant source of strength and solace. As an adult, she came to question some of the attitudes and teachings of the Catholic Church while remaining an impassioned believer in its role as a defender of the poor and oppressed. “Generations ago,” says Kennedy, “the search for spirituality came predefined and prepackaged. [The Church] not only gave us all the answers, it even gave us the questions to ask.” Now many of the old certainties are being reexamined. In an attempt to convey this sea change, Kennedy asked thirty-seven American Catholics to speak candidly about their own faith—whether lost, recovered, or deepened—and about their feelings regarding the way the Church hierarchy is moving forward. The voices included here range from respectful to reproachful and from appreciative to angry. Speaking their minds are businesspeople, actors and entertainers, educators, journalists, politicians, union leaders, nuns, priests—even a cardinal. Some love the Church; some feel intensely that the Church wronged them. All have an illuminating insight or perspective. Kerry Kennedy herself speaks of the joy of growing up as one of Robert and Ethel Kennedy’s eleven children, of the tragedies that eventually befell her family, and of how religion was deeply woven through good times and bad. Journalist Andrew Sullivan talks about reconciling his devout Catholicism with the Church’s condemnation of his identity as a gay man. TV newswoman Cokie Roberts recalls the nuns who taught her and “took girls seriously when nobody else did.” Comedian Bill Maher declares, “I hate religion. It’s the worst thing in the world”—and goes on to defend his bold assertion. Writer Anna Quindlen depicts a common parental challenge: passing along traditions and values to a younger generation sometimes deaf to spiritual messages. Through these and many other voices that speak not only to Catholics but to all of us, Being Catholic Now redefines an ancient institution in the most contemporary of terms. From Being Catholic Now“When my mom asked if I wanted to be a nun, I said I’d rather be a priest. . . . The nuns were always wonderful, but the power was with the priest.” —Nancy Pelosi “There are aspects of studying the saints, with the candles, incense, and Latin Masses and some of the pageantry of the Church that, as an American historian, make me feel part of a larger wave of history. That it’s not a newfangled religion, which some people get great solace from. I feel that I’m connected to places.” —Douglas Brinkley “Faith isn’t like picking courses off a menu. It’s a journey, and it’s a path. If your path and journey have been within one structure your entire life, then simply leaving isn’t an option.” —Andrew Sullivan “Why stay Catholic? Because the hierarchy is not the Church. . . .We [the people of God] are the Church. They can’t take that away from us.” —Cokie Roberts “I was told very early on by the nuns that I had an ‘overabundance of original sin.’ I was a quiet kid, but I was curious. I asked the wrong questions.” —Susan Sarandon “I don’t believe you can be authentically Catholic without being committed to the social doctrine of the Church. When I was in grammar school, we had these little boxes to help the poor. That was good, but that is half of it. The other half is to find out why there are so many poor people and how we can do something to help them.” —Cardinal Theodore Edgar McCarrick “I am reconciled to the oblivion that is coming. I see no proof of anything else, if it is a matter of faith. I admire people who have faith in God. It must be a great comfort to them, but I had to get out from under the fear and the guilt.” —Frank McCourt “I went to church and the door was locked. I was knocking and ringing the bell. I waited and waited and nobody came. [The priest thought] there was an emergency, because of all the banging and ringing. He looked down at me and said, ‘What is it?’ I said, ‘I’m sorry to bother you, Father, but I’ve been away from the Church many, many years and I’d like to come back. I’d like to go to confession.’ He looked at me and something behind his eyes said, ‘You came to the right place.’ He knew that it was an important moment for me; he got it instantly.” —Martin Sheen.
Price: $14.88
[ Notify me when price goes down.]
|
|
|
|
|
