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The best handbook on chart usage, from one of the most trusted names in boating

In 2000, the U.S. government ceased publication of Chart No. 1, the invaluable little book that generations of mariners have consulted to make sense of the complex system of signs, symbols, and graphic elements used in nautical charts. Now Chart No. 1 is not just reborn but expanded and improved in How to Read a Nautical Chart. The demand for a book like this has never been greater.

Arranged and edited by Nigel Calder, one of today's most respected boating authors­­and containing four-color illustrations throughout­­How to Read a Nautical Chart presents a number of original features that help readers make optimum use of the data found in Chart No. 1, including a more intuitive format, crucial background information, international chart symbol equivalents, electronic chart symbology, and thorough explanations of the practical aspects of nautical chart reading..
Price: $9.29 [Notify me when price goes down.]

When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does it require the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence?

Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space. That critically acclaimed volume dissected the abstract, white space of the art gallery, calling it "the archetypal image of twentieth century art." In Studio and Cube he expands his interpretation to include the artist's studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism. O'Doherty reflects on the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. This is essential reading for anyone interested in the history and issues of art and the environment in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture, at Columbia University..
Price: $9.98 [Notify me when price goes down.]

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature..
Price: $29.10 [Notify me when price goes down.]

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Price: $34.53 [Notify me when price goes down.]

The USAF Flight Test Center at Edwards AFB has long been one of the most interesting test sites in the world. This pictorial history covers all of the aircraft shown publicly between 1957 and 1966, with a chapter for each year listing all of the aircraft shown, giving the manufacturer, designation, popular name and serial number. Aircraft range from the X-1B and X-5 to the XB-70, F-111 and SR-71, including nearly all of the fighters from the F-80 through the Century series, plus the Navy types. Transports, including a few civil jets, attack aircraft, trainers, bombers, helicopters, and many unusual VTOL aircraft are also fully covered in the author's more than 600 color photographs..
Price: $34.20 [Notify me when price goes down.]

When calamity and disaster strike as it did on September 11th, many people begin to ask, "Where is God?" and "Why did God allow this to happen?" These are the very questions Thomas Boston addresses in this timeless book. This book includes an introduction and a study guide to maximize the impact of this classic work..
Price: $9.99 [Notify me when price goes down.]

William Curtis (1746-1799) was an English botanist and entomologist, who was born at Alton, Hampshire Curtis began as an apothecary, before turning his attention to botany and other natural history. The publications he prepared effectively reached a wider audience than early works on the subject had intended. At the age of 25 he produced Instructions for Collecting and Preserving Insects; Particularly Moths and Butterflies. Curtis was demonstrator of plants and Praefectus Horti at the Chelsea Physic Garden from 1771 to 1777. He established his own London Botanic Garden at Lambeth in 1779, moving to Brompton in 1789. He published Flora Londinensis (6 volumes, 1777-1798), a pioneering work in that it devoted itself to urban nature. Financial success was not found, but he went on to publish The Botanical Magazine; or, Flower-Garden Displayed, in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby, Sydenham Edwards, and William Kilburn. The longest running botanical magazine, it has been published continuously ever since, with a change of name to The Kew Magazine from 1984 to 1994. In 1995 the name reverted to that of the widely cited, Curtis's Botanical Magazine..
Price: $8.46 [Notify me when price goes down.]

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature..
Price: $34.78 [Notify me when price goes down.]