Books about Courtesans from Amazon.com

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.

Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to become a miracle of east-west trade: rich and rancid, pious and profitable, beautiful and squalid.

With a mix of courage and cunning they infiltrate Venetian society. Together they make the perfect partnership: the sharp-tongued, sharp-witted dwarf, and his vibrant mistress, trained from birth to charm, entertain, and satisfy men who have the money to support her.

Yet as their fortunes rise, this perfect partnership comes under threat, from the searing passion of a lover who wants more than his allotted nights to the attentions of an admiring Turk in search of human novelties for his sultan’s court. But Fiammetta and Bucino’s greatest challenge comes from a young crippled woman, a blind healer who insinuates herself into their lives and hearts with devastating consequences for them all.

A story of desire and deception, sin and religion, loyalty and friendship, In the Company of the Courtesan paints a portrait of one of the world’s greatest cities at its most potent moment in history: It is a picture that remains vivid long after the final page.


From the Hardcover edition..
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Lesson #1: Every man loves a mystery

A scandalous siren called "Ria" has electrified the ton. Every gentleman in London desires her; every woman envies her. And they are all desperate to know the secrets of the tantalizing, seductively beautiful courtesan. All except Justin, the Earl of Baybary. He knows all about Ria. He learned every inch of her tender skin, every taste of her luscious lips . . . on their wedding night.

Lesson #2: No man can make you lose control . . . unless you let him.

Though theirs was an arranged marrige, still Victoria surrendered to passion and gave herself to Justin completely. When he left her alone the next morning, she swore she would never again let him into her bed. Now, though she has other reasons for returning to the city, she enjoys tormenting Justin, letting him see the way other men lust for her. But keeping herself from him is such exquisite torture . . . and forgiveness will lead to an ecstasy unbelievably divine.

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REAL PLEASURE CAN'T BE TAKEN....
Granddaughter of a renowned courtesan, Maybelle de Maitenon has no interest in her grandmother's school in London where gentlemen receive instruction -- in the art of seduction. Her only desire in life is to remain indepedent, free from men and the shackles of marriage. But when Maybelle lays eyes on Edmund Worthington, the Duke of Rutherford, at a soiree, and hears of his scandalous reputation, she decides he's the perfect person for her to have a tryst with no strings attached...
IT MUST BE GIVEN...
Unbridled passion has again muddied Edmund Worthington's family name. After his very public dalliance with the strikingly beautiful and sensual Maybelle, his mother insists he marry her. But much to the duke's surprise, Maybelle scoffs at his proposal. Never has he encountered such a brazen - and maddeningly irresistable - woman. But when Maybelle's grandmother falls ill, forcing Maybelle to take over the operation of the school, Edmund devises a plan to make her his. He enrolls in the school, where no one other than Maybelle must give him expert lessons in carnal pleasure...
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Second in the “cleverly orchestrated,”( Library Journal) Regencyset series featuring the matchmaking schemes of an infamous ex-courtesan.

On the night of her debut two years ago, Lady Louisa Kirkland fell for the devilish Marquis of Dutton. It’s high time, she’s decided, that he realized he loves her. Also, there is the matter of Louisa’s family pearls, which are in his possession. For both problems, Louisa will need the help of Lady Sophia, an ex-courtesan more clever than all the other ton matrons combined….
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Amid the disapproving gossip of the Court, a royal romance defies all obstacles

The Court of François I is full of lust, intrigue, and bawdy bon temps—a different world from the quiet country life Diane de Poitiers led with her elderly husband. Now a widow, the elegant Diane is called back to Court, where the King’s obvious interest marks her as an enemy to the King’s favourite, Anne d’Heilly. The Court is soon electrified by rumors of their confrontations. As Anne calls on her most venomous tricks to drive Diane away, Diane finds an ally in the one member of Court with no allegiance to the King’s mistress: his teenage second son, Henri.

Neglected by his father and disliked by his brothers, Prince Henri expects little from his life. But as his friendship with Diane deepens into infatuation and then a romance that scandalizes the Court, the Prince begins to discover hope for a future with Diane. But fate and his father have other plans for Henri—including a political marriage with Catherine de Medici. Despite daunting obstacles, Henri’s devotion to Diane never wanes; their passion becomes one of the most legendary romances in the history of France.



Also available as an eBook.
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The Duke of Kylemore knows her as Soraya, London's most celebrated courtesan. Men fight duels to spend an hour in her company And only he comes close to taming her. Flying in the face of society, he decides to make her his bride; then, she vanishes, seemingly into thin air.

Dire circumstances have forced Verity Ashton to barter her innocence and change her name for the sake of her family. But Kylemore destroys her plans for a respectable life when he discovers her safe haven. He kidnaps her, sweeping her away to his hunting lodge in Scotland, where he vows to bend her to his will.

There he seduces her anew. Verity spends night after night with him in his bed . . . and though she still dreams of escape and independence, she knows she can never flee the unexpected, unwelcome love for the proud, powerful lover who claims her both body and soul.

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A wicked turnabout on Jane Austen's oft-quoted adage -- "a single man in possession of a good fortune must be in want of a wife" -- is My Lady Scandalous, a richly raucous history that traverses the notoriously licentious British Regency era in the company of its most celebrated courtesan.

Following a simple Edinburgh girlhood, Grace Dalrymple came of age in the sin city of London, where wealthy men ruled society and women had everything to lose, starting with their reputations. As an impressionable bride of seventeen who married a man more than twice her age, Grace's remarkable beauty (likened by journalists to "a May morning") soon attracted the attentions of other men. A disastrous liaison with a consummate rake not only branded Grace as a demi-rep -- a woman with half a reputation -- but the scandal provoked Dr. John Eliot, her philandering husband, to pursue a divorce.

Grace became mistress of the most infamous peer in England, George James, Lord Cholmondeley, whose "secret perfections" were reputed to inspire "female enthusiasm." Cholmondeley commemorated the relationship by commissioning two works from eminent portraitist Thomas Gainsborough, first in 1778 and later in 1782, the same year Grace gave birth to a daughter, Georgiana (who may, in fact, have been the child of the Prince of Wales). Had Grace been an aristocrat, she and Cholmondeley might have had a future together, but it was not to be.

The tabloids broke the news: "Miss Dalrymple has embarked for France, and it is said parted with her noble gallant." Grace was soon to find a new protector in that nation's richest man, Philippe, Duc d'Orleans. Though Grace was ensconced as "one of the most brilliant and popular among the fashionable 'impures,'" her liaison with the duke turned perilous when Orleans fell to the Revolution's guillotine, just as she narrowly escaped with her life.

"People die, but love may not," declares author Jo Manning of her subject's romantic and historic misadventures. A connoisseur of the times, Manning ably demonstrates -- through contemporary newspapers, magazines, prints, and portraits as well as Grace's posthumously published journal -- how life in George III's England and Marie Antoinette's France can seem strangely familiar, especially when history turns to affairs of the heart..
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Skilled in passion, artful in deception, and driven by betrayal, she is the glittering center of the royal court–but the most desired woman of Renaissance France will draw the wrath of a dangerous adversary.

Paris, 1575. The consort of some of Europe’s most influential men, Gabrielle Cheney is determined to secure her future by winning the heart of Henry, the Huguenot king of Navarre. As his mistress, Gabrielle hopes she might one day become the power behind the French throne. But her plans are jeopardized by Captain Nicolas Rémy, a devoted warrior whose love Gabrielle desires–and fears–above all. She will also incur the malevolence of the Dark Queen, Catherine de’ Medici, whose spies and witch-hunters are legion, and who will summon the black arts to maintain her authority. With the lives of those she loves in peril, Gabrielle must rebel against her queen to fulfill a glorious destiny she has sacrificed everything to gain.

Alive with vivid period detail and characters as vibrant as they are memorable, The Courtesanis a sweeping historical tale of dangerous intrigues, deep treachery, and one woman’s unshakable resolve to honor her heart..
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The Venetian courtesan has long captured the imagination as a female symbol of sexual license, elegance, beauty, and unruliness. What then to make of the cortigiana onesta--the honest courtesan who recast virtue as intellectual integrity and offered wit and refinement in return for patronage and a place in public life? Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position.

Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women--and her awareness of the threat she posed to her male contemporaries--that makes her literary works and her dealings with Venetian intellectuals so pertinent today. Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions.

"A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic."--Helen Hackett, Times Higher Education Supplement

The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.).
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The royal European courts were unsurpassed for their glamour, wealth, fame, danger, treachery, and politics. The royal mistress was at the center of that world -- admired for her beauty and sensuality; feared for the power she wielded; even vilified, envied, and resented. In times when women had very little power, the royal mistress had enormous influence, and yet she is seldom mentioned in official histories.

In Cupid and the King, Her Royal Highness Princess Michael of Kent recounts the stories of five very different women, each of whom became a celebrated -- or notorious -- courtesan:

Nell Gwyn, the bawdy, vivacious orange seller turned actress who endeared herself to Charles II -- and the country -- with her wit and down-to-earth manner

Madame de Pompadour, the extravagant, elegant maitresse-en-titre of Louis XV who became one of the great patrons of her time while enraging the people of France

Marie Walewska, who became Napoleon's mistress to save her country

Lola Montez, the flamboyant, scandalous Irish beauty who reinvented herself as a Spanish aristocrat to win the heart of Ludwig I of Bavaria

Lillie Langtry, the legendary beauty immortalized by the most famous artists of her day and the only woman to completely monopolize Edward, Prince of Wales, later Edward VII

Written with an insider's keen understanding of court life and filled with delicious details born of impeccable research, Cupid and the King explores a little-known chapter of the history of women's roles in the royal bedrooms of Europe.

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