Books about Corporeal from Amazon.com

"The location of the author's investigations, the body itself rather than the sphere of subjective representations of self and of function in cultures, is wholly new...I believe this work will be a landmark in future feminist thinking." - Alphonso Lingis. "This is a text of rare erudition and intellectual force. It will not only introduce feminists to an enriching set of theoretical perspectives but sets a high critical standard for feminist dialogues on the status of the body." - Judith Butler. "Volatile Bodies" demonstrates that the sexually specific body is socially constructed: biology or nature is not opposed to or in conflict with culture. Human biology is inherently social and has no pure or natural 'origin' outside of culture. Being the raw material of social and cultural organization, it is 'incomplete' and thus subject to the endless rewriting and social inscription that constitute all sign systems. Examining the theories of Freud, Lacan, Merleau-Ponty, Foucault, Deleuze, Derrida, etc. on the subject of the body, Elizabeth Grosz concludes that the body they theorize is male. These thinkers are not providing an account of 'human' corporeality, but of male corporeality. Grosz then turns to corporeal experiences unique to women - menstruation, pregnancy, childbirth, lactation, and menopause. Her examination of female experience lays the groundwork for developing theories of sexed corporeality rather than merely rectifying flawed models of male theorists..
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In this book, David MacDougall, one of the leading ethnographic filmmakers and film scholars of his generation, builds upon the ideas from his widely praised Transcultural Cinema and argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words.

In ten chapters, MacDougall explores the relations between photographic images and the human body-the body of the viewer and the body behind the camera as well as the body as seen in ethnography, cinema, and photography. In a landmark piece, he discusses the need for a new field of social aesthetics, further elaborated in his reflections on filming at an elite boys' school in northern India. The theme of the school is taken up as well in his discussion of fiction and nonfiction films of childhood. The book's final section presents a radical view of the history of visual anthropology as a maverick anthropological practice that was always at odds with the anthropology of words. In place of the conventional wisdom, he proposes a new set of principles for visual anthropology.

These are essays in the classical sense--speculative, judicious, lucidly written, and mercifully jargon-free. The Corporeal Image presents the latest ideas from one of our foremost thinkers on the role of vision and visual representation in contemporary social thought.

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Globalization has been traditionally interpreted as a phenomenon that takes place at the macro level and is determined by states and markets This volume takes a different approach to understanding globalization, showing how through the global sex trade, globalization is embodied and enacted by individuals.

Elina Penttinen illustrates how the global sex industry feeds on complex global flows. Drawing on extensive fieldwork on the trafficking of Russian and Baltic female sex workers, she demonstrates how the embodiment and reiteration of globalization on the bodies of gendered individuals are tied to the larger processes of globalization. Appadurai’s framework of landscapes of globalization is developed into a framework of shadow sexscapes in order to show how the global sex industry feeds on complex global flows and in turn operates as a form of shadow globalization.

Globalization, Prostitution and Sex Trafficking will be of interest to students and researchers of international relations, globalization and gender studies.

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Price: $116.48 [Notify me when price goes down.]

This ambitious work puts forward a new account of mathematics-as-language that challenges the coherence of the accepted idea of infinity and suggests a startlingly new conception of counting. The author questions the familiar, classical interpretation of whole numbers held by mathematicians, and replaces it with a radical alternative. The author bases his analysis on the development of a semiotic model that characterizes mathematics as a form of discourse organized around certain kinds of waking dreams or thought experiments. The model allows him to articulate the role of the sign-using mathematical subject and of that subject's imagined self which plays a crucial part in achieving mathematical persuasion. Ad Infinitum is a significant contribution to postmodern epistemology and the philosophy of science..
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Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary.
By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin’s theories on film’s inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin’s seminal essay "Death Every Afternoon" and Serge Daney’s essay reinterpreting Bazin’s defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns—particularly the link between cinematic realism and contingency—that the other essays explore further.
Among the topics addressed are the provocative mimesis of Luis Buñuel’s Land Without Bread; the adaptation of trial documents in Carl Dreyer’s Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini’s strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami.

Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James Lastra, Ivone Margulies, Abe Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang


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Body care has never before been so much a focus of public interest, nor have the ways we classify people by reference to their kind of body excited such political passions. This study is an attempt to build a comprehensive account of the roles our bodies play in our lives. Through a series of discussions Rome harre concludes that the roles the body plays in our lives are determined less by organic functioning than by cultural conventions and social meanings..
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Challenging the accepted model, builds a politically sensitive notion of generosity..
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In the present book, Pauline Phemister argues against traditional Anglo-American interpretations of Leibniz as an idealist who conceives ultimate reality as a plurality of mind-like immaterial beings and for whom physical bodies are ultimately unreal and our perceptions of them illusory. Re-reading the texts without the prior assumption of idealism allows the more material aspects of Leibniz's metaphysics to emerge. Leibniz is found to advance a synthesis of idealism and materialism. His ontology posits indivisible, living, animal-like corporeal substances as the real metaphysical constituents of the universe; his epistemology combines sense-experience and reason; and his ethics fuses confused perceptions and insensible appetites with distinct perceptions and rational choice. In the light of his sustained commitment to the reality of bodies, Phemister re-examines his dynamics, the doctrine of pre-established harmony and his views on freedom. The image of Leibniz as a rationalist philosopher who values activity and reason over passivity and sense-experience is replaced by the one of a philosopher who recognises that, in the created world, there can only be activity if there is also passivity; minds, souls and forms if there is also matter; good if there is evil; perfection if there is imperfection..
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