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When Adorned in Dreams was first published in 1985, Angela Carter described the book as "the best I have read on the subject, bar none." From haute couture to haberdashery, "deviant" dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. She also discusses fashion’s vociferous opponents, from the "dress reform" movement to certain strands of feminism. Wilson delights in the power of fashion to mark out identity or subvert it. This brand new edition of her book follows recent developments to bring the story of fashionable dress up to date, exploring the grunge look inspired by bands like Nirvana, the "boho chic" of the mid 90’s, retro-dressing, and the meanings of dress from the veil to soccer player David Beckham’s pink-varnished toenails..
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For thousands of years humans have adorned themselves. Adornment figures among the constellation of traits that signify the arrival of modern human behavior in the archaeological record. Wherever they ventured, wherever they lived, people have made art and adornments to accompany them in life and death.

In this book, artist William Morris celebrates this ancient and universal human quality and continues his exploration of the themes of origin and myth that permeate all his work. At first glance, these glass sculptures signal a striking departure from Morris's oeuvre of canopic jars, animal vessels, assorted artifacts, and imaginative burial installations. Here Morris depicts the people only imagined before. He has put flesh on the bones, and covered the bodies with costumes, jewelry, headdresses, and tattoos. These figures spring forth full of vibrant life in the present, rather than recalling a distant past. The faces and artifacts evoke and sometimes blend elements of Africa, Asia, Oceania, and the Americas, tracing the global migrations of distant ancestors. Morris aims less for realism than for an essence of ethnicity.

For more than 20 years, in a career that has brought Morris to the forefront of the modern Studio Glass movement, he has perfected a repertoire of techniques that virtually no other American glass artist can equal..
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The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune.

In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts.

By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.

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This digital document is an article from Naval War College Review, published by Thomson Gale on June 22, 2005. The length of the article is 4484 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Has the red cross-adorned hospital ship become obsolete?(RESEARCH & DEBATE)
Author: Arthur M. Smith
Publication:Naval War College Review (Magazine/Journal)
Date: June 22, 2005
Publisher: Thomson Gale
Volume: 58 Issue: 3 Page: 121(11)

Distributed by Thomson Gale.
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