Books about Watched from Amazon.com

The national treasure hunt, Antiques Roadshow is, in its third season, the most popular show on PBS. Every week it draws millions and millions of viewers to the edge of their seats as independent dealers and specialists from the country's leading auction houses appraise family heirlooms and flea market finds alike. Now this knowledge, authority, and passion is distilled in the Antiques Roadshow Primer, an introductory guide to American Antiques and collectibles.

Antiques Roadshow has taught us to look for fortunes in our attics--perhaps to find, as other lucky souls have, an Anna Poole Peale portrait miniature worth $5,000 to $7,000 or a Confederate sword worth $35,000. Focusing on 11 major areas--including Furniture, Painting, Silver, Jewelry, Porcelain, and Toys--the primer addresses the essential things buyers and collectors need to know, covering vital details for each category, such as shapes, styles, and patterns, provenance, periods, and motifs. A 32-page full-color section amplifies each chapter by illustrating numerous examples of styles and techniques, and individual items are fully identified, often with their appraised value. Above all, it helps even first-timers to answer the two key question every collector must face: Is it old? Is it valuable?.
Price: $2.19 [Notify me when price goes down.]

Thanks to Antiques Roadshow(tm), the highest rated, long running prime-time series on PBS(r), with millions of viewers a week, we are a nation seeking fortune in our attics. And thanks to Antiques Roadshow Primer, with 572,000 copies in print, we are highly antiques-literate. But there's another audience out there, too, showing up ever more frequently on Antiques Roadshow-those obsessive, bitten-by-the-bug collectors. Bring on the "Maltese Falcon" posters!

Celebrating the collectible-that 20th-century object that brings with it less monetary value than passion, nostalgia, quirky appeal, and just plain pleasure-ANTIQUES ROADSHOW COLLECTIBLES focuses on 12 major areas that inspire both the thrill of the chase and the thrill of discovery: furniture, photographs, posters and illustration art, costume jewelry and wristwatches, dolls, toys, advertising memorabilia, sports, glass and pottery, and more. A guide to value rather than price, it is packed with a wealth of information that will help turn any interested flea market fiend into a first-class collector. From the innovative design of Bertoia chairs to the high-quality crafting of costume jewelry to the surprising variety of PEZ dispensers, here are 416 pages brimming with information. Bound into the book is a 32-page full-color section, while hundreds of black-and-white photographs illustrate every chapter. There are Antiques Roadshow discoveries, tips from experts and appraisers, the steps to becoming a focused collector-even how to use pieces without compromising their value. After all, isn't it more fun to eat off the Fiesta ware?.
Price: $4.73 [Notify me when price goes down.]

Kees Popinga is an average man, a solid citizen who might enjoy a game of chess in the evening But one night, this model husband and devoted father discovers his boss is bankrupt and that his own carefully tended life is in ruins. Before, he had watched impassively as the trains swept by; now he catches the first one out of town and soon, commits murder before the night is out. How reliable is even the most reliable man's identity?.
Price: $7.34 [Notify me when price goes down.]

What is unique and essential about theater? What separates it from other arts? Do we need "theater" in some fundamental way? The art of theater, as Paul Woodruff says in this elegant and unique book, is as necessary--and as powerful--as language itself. Defining theater broadly, including sporting events and social rituals, he treats traditional theater as only one possibility in an art that--at its most powerful--can change lives and (as some peoples believe) bring a divine presence to earth.
The Necessity of Theater analyzes the unique power of theater by separating it into the twin arts of watching and being watched, practiced together in harmony by watchers and the watched. Whereas performers practice the art of being watched--making their actions worth watching, and paying attention to action, choice, plot, character, mimesis, and the sacredness of performance space--audiences practice the art of watching: paying close attention. A good audience is emotionally engaged as spectators; their engagement takes a form of empathy that can lead to a special kind of human wisdom. As Plato implied, theater cannot teach us transcendent truths, but it can teach us about ourselves.
Characteristically thoughtful, probing, and original, Paul Woodruff makes the case for theater as a unique form of expression connected to our most human instincts. The Necessity of Theater should appeal to anyone seriously interested or involved in theater or performance more broadly..
Price: $19.33 [Notify me when price goes down.]

This book answers the most pressing question about the Holocaust: Why did the West do nothing as Hitler's killing machine took hold?

The Allies stood by and watched Nazi Germany imprison and then murder six million Jews during World War II. How could the unthinkable have been allowed to happen? Theodore Hamerow reveals in the pages of this compelling book that each Western nation had its own version of the Jewish Question—its own type of anti-Semitism—which may not have been as virulent as in Eastern Europe but was disastrously crippling nonetheless. If just one country had opened its doors to Germany's already persecuted Jews in the 1930s, and if the Allies had attempted even one bombing of an extermination camp, the Holocaust would have been markedly different. Instead, by sitting on their hands, the West let Hitler solve their Jewish Question by eliminating European Jewry. 30 illustrations..
Price: $17.50 [Notify me when price goes down.]

Hrabal's postwar classic about a young man's coming of age in German-occupied Czechoslovakia is among his most beloved and accessible works. Closely Watched Trains is the subtle and poetic portrait of Milos Hrma, a timid young railroad apprentice who insulates himself with fantasy against a reality filled with cruelty and grief. Day after day as he watches trains fly by, he torments himself with the suspicion that he himself is being watched and with fears of impotency. Hrma finally affirms his manhood and, with a sense of peace and purpose he has never known before, heroically confronts a trainload of Nazis..
Price: $12.80 [Notify me when price goes down.]

In her dance and performances of the 1960s, Yvonne Rainer famously transformed the performing body—stripped it of special techniques and star status, traded its costumes and leotards for T-shirts and sneakers, and asked it to haul mattresses or recite texts rather than leap or spin. Without discounting these innovations, Carrie Lambert-Beatty argues in Being Watched that the crucial site of Rainer's interventions in the 1960s was less the body of the performer than the eye of the viewer—or rather, the body as offered to the eye. Rainer's art, Lambert-Beatty writes, is structured by a peculiar tension between the body and its display.

Through close readings of Rainer's works of the 1960s—from the often-discussed dance Trio A to lesser-known Vietnam war-era protest dances—Lambert-Beatty explores how these performances embodied what Rainer called "the seeing difficulty." (As Rainer said: "Dance is hard to see.") Viewed from this perspective, Rainer's work becomes a bridge between key episodes in postwar art. Lambert-Beatty shows how Rainer's art (and related performance work in Happenings, Fluxus, and Judson Dance Theater) connects with the transformation of the subject-object relation in minimalism and with emerging feminist discourse on the political implications of the objectifying gaze. In a spectacle-soaked era, moreover, when images of war played nightly on the television news, Rainer's work engaged the habits of viewing formed in mass-media America, linking avant-garde art and the wider culture of the 1960s. Rainer is significant, argues Lambert-Beatty, not only as a choreographer but as a sculptor of spectatorship..
Price: $17.50 [Notify me when price goes down.]

Thanks to Antiques Roadshow(tm), the highest rated, long running prime-time series on PBS(r), with millions of viewers a week, we are a nation seeking fortune in our attics. And thanks to Antiques Roadshow Primer, with 572,000 copies in print, we are highly antiques-literate. But there's another audience out there, too, showing up ever more frequently on Antiques Roadshow-those obsessive, bitten-by-the-bug collectors. Bring on the "Maltese Falcon" posters!

Celebrating the collectible-that 20th-century object that brings with it less monetary value than passion, nostalgia, quirky appeal, and just plain pleasure-ANTIQUES ROADSHOW COLLECTIBLES focuses on 12 major areas that inspire both the thrill of the chase and the thrill of discovery: furniture, photographs, posters and illustration art, costume jewelry and wristwatches, dolls, toys, advertising memorabilia, sports, glass and pottery, and more. A guide to value rather than price, it is packed with a wealth of information that will help turn any interested flea market fiend into a first-class collector. From the innovative design of Bertoia chairs to the high-quality crafting of costume jewelry to the surprising variety of PEZ dispensers, here are 416 pages brimming with information. Bound into the book is a 32-page full-color section, while hundreds of black-and-white photographs illustrate every chapter. There are Antiques Roadshow discoveries, tips from experts and appraisers, the steps to becoming a focused collector-even how to use pieces without compromising their value. After all, isn't it more fun to eat off the Fiesta ware?.
Price: $10.04 [Notify me when price goes down.]

Drawing on cultural theory and interviews with fans, cast members and producers, this book places the reality TV trend within a broader social context, tracing its relationship to the development of a digitally enhanced, surveillance-based interactive economy and to a savvy mistrust of mediated reality in general.

Surveying several successful reality-TV formats, the book links the rehabilitation of "Big Brother" to the increasing economic importance of the work of being watched. The author enlists critical social theory to examine how the appeal of "the real" is deployed as a pervasive but false promise of democratization..
Price: $23.90 [Notify me when price goes down.]

How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to Spike Lee's Do the Right Thing, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium.
Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film--arguably the most influential of contemporary forms of representation--constitutes our pleasure, influences our thoughts, and informs our daily reality..
Price: $17.98 [Notify me when price goes down.]