Books about Utopian from Amazon.com

The Danger of Music gathers some two decades of Richard Taruskin's writing on the arts and politics, ranging in approach from occasional pieces for major newspapers such as the New York Times to full-scale critical essays for leading intellectual journals. Hard-hitting, provocative, and incisive, these essays consider contemporary composition and performance, the role of critics and historians in the life of the arts, and the fraught terrain where ethics and aesthetics interact and at times conflict. Many of the works collected here have themselves excited wide debate, including the title essay, which considers the rights and obligations of artists in the aftermath of the 9/11 terrorist attacks. In a series of lively postscripts written especially for this volume, Taruskin, America's "public" musicologist, addresses the debates he has stirred up by insisting that art is not a utopian escape and that artists inhabit the same world as the rest of society. Among the book's forty-two essays are two public addresses--one about the prospects for classical music at the end of the second millennium C. E., the other a revisiting of the performance issues previously discussed in the author's Text and Act (1995)--that appear in print for the first time..
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Marking the debut of a gifted new writer, The Bookmaker teems with humanity, empathy, humor, and insight

At the heart of Michael J. Agovino's powerful, layered memoir is his family's struggle for success in 1970s, '80s, and '90s New York City—and his father's gambling, which brought them to exhilarating highs and crushing lows. He vividly brings to life the Bronx, a place of texture and nuance, of resignation but also of triumph.

The son of a buttoned-up union man who moonlighted as a gentleman bookmaker and gambler, Agovino grew up in the Bronx's Co-op City, the largest and most ambitious state-sponsored housing development in U.S. history. When it opened, it landed on the front page of The New York Times and in Time magazine, which described it as "relentlessly ugly."

Agovino's Italian American father was determined not to let his modest income and lack of a college education define him, and was dogged in his pursuit of the finer things in life. When the point spreads were on his side, he brought his family to places he only dreamed about in his favorite books and films: the Uffizi, the Tate, the Rijksmuseum; St. Peter's, Chartres, Teotihuacán. With bad luck came shouting matches, unpaid bills, and eviction notices.

The Bookmaker is both a bold, loving portrait of a family and their metropolis and an intimate look into some of the most turbulent decades of New York City. In elegant and soaring prose, it transcends the personal to illuminate the ways in which class distinctions shaped America in the last half of the twentieth century.

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Price: $10.85 [Notify me when price goes down.]

The name Hershey evokes many things: chocolate bars, the company town in Pennsylvania, one of America's most recognizable brands. But who was the man behind the name? In this compelling biography, Pulitzer Prize-winning journalist Michael D'Antonio gives us the real-life rags-to-riches story of Milton S. Hershey, a largely uneducated businessman whose idealistic sense of purpose created an immense financial empire, a town, and a legacy that lasts to this day.

Hershey, the son of a minister's daughter and an irresponsible father who deserted the family, began his career inauspiciously when the two candy shops he opened both went bankrupt. Undeterred, he started the Lancaster Caramel Company, which brought him success at last. Eventually he sold his caramel operation and went on to perfect the production process of chocolate to create a stable, consistent bar with a long shelf life...and an American icon was born.

Hershey was more than a successful businessman -- he was a progressive thinker who believed in capitalism as a means to higher goals. He built the world's largest chocolate factory and a utopian village for his workers on a large tract of land in rural Pennsylvania, and used his own fortune to keep his workers employed during the Great Depression. In addition, he secretly willed his fortune to a boys' school and orphanage, both of which now control a vast endowment.

Extensively researched and vividly written, Hershey is the fascinating story of this uniquely American visionary.

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Price: $4.00 [Notify me when price goes down.]

This rambunctious first novel by the author of the bestselling Corelli's Mandolin is set in an impoverished, violent, yet ravishingly beautiful country somewhere in South America When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny. "Walks a precarious edge between slapstick and pathos, never once losing its balance."--Washington Post Book World..
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As the twentieth century drew to a close, the rich were getting richer; power was concentrating within huge corporations; vast tracts of the earth were being laid waste; three quarters of the earth's population had no control over its destiny and no claim to basic rights. There was nothing new in this. What was new was the virtual absence of any political will to do anything about it. Spaces of Hope takes issue with this.
David Harvey brings an exciting perspective to two of the principal themes of contemporary social discourse: globalization and the body. Exploring the uneven geographical development of late-twentieth-century capitalism, and placing the working body in relation to this new geography, he finds in Marx's writings a wealth of relevant analysis and theoretical insight. In order to make much-needed changes, Harvey maintains, we need to become the architects of a different living and working environment and to learn to bridge the micro-scale of the body and the personal and the macro-scale of global political economy.
Utopian movements have for centuries tried to construct a just society. Harvey looks at their history to ask why they failed and what the ideas behind them might still have to offer. His devastating description of the existing urban environment (Baltimore is his case study) fuels his argument that we can and must use the force of utopian imagining against all who say "there is no alternative." He outlines a new kind of utopian thought, which he calls dialectical utopianism, and refocuses our attention on possible designs for a more equitable world of work and living with nature. If any political ideology or plan is to work, he argues, it must take account of our human qualities. Finally, Harvey dares to sketch a very personal utopian vision in an appendix, one that leaves no doubt about his own geography of hope..
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On the eve of World War I, an all-female society is discovered somewhere in the distant reaches of the earth by three male explorers who are now forced to re-examine their assumptions about women's roles in society..
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A child of both the French and Industrial revolutions, Flora Tristan (1803-1844) became a bold social critic and political activist. Assuming personal freedoms enjoyed by few women contemporaries, she devoted herself to the cause of universal justice. Europe was engulfed in liberation movements during the early decades of the nineteenth century, and it was in this cauldron that Tristan wrote and proselytized. The works selected and translated by Doris and Paul Beik reflect the experiences that shaped Tristan's politics and philosophy, and their introduction and headnotes trace Tristan's life and describe the social and intellectual milieu of nineteenth-century France. Several pieces are here translated into English for the first time. Included are excerpts from "Women Travelers" (1835), "Peregrinations of a Pariah" (1838), the novel "M phis" (1838), "Promenades in London" (1840), "Workers' Union" (1843), and "The Tour of France" (posthumously published in 1973), which chronicles her strenuous efforts to organize members of the French working class..
Price: $16.95 [Notify me when price goes down.]

There is an epigram in this book from the Phil Ochs song "Crucifixion," about the Kennedy assassination, that states: "I fear to contemplate that beneath the greatest love, lies a hurricane of hate." On February 11th 1963, the Beatles recorded "There's a Place," a dazzling, unheralded tune which was included on their electrifying debut album, Please Please Me. This song firmly laid the foundation on which a huge utopian dream of the sixties would be built. Within that dream, however, also lay the seeds of a darker vision that would emerge out of the very counterculture that the Beatles and their music helped create. Thus, even as their music attracted adoring fans, it also enticed the murderous ambitions of Charles Manson; and though the Beatles may have inspired others to form bands, their own failed hopes ultimately led to their breakup. The disillusionment with the sixties, and the hopes associated with the group, would many years later culminate in the assassination of John Lennon and the attempted slaying of George Harrison by deranged and obsessive fans. In this incisive examination, author Kevin Courrier (Dangerous Kitchen: the Subversive World of Zappa, Randy Newman's American Dreams) examines how the Fab Four, through their astonishing music and comically rebellious personalities, created the promise of an inclusive culture built on the principles of pleasure and fulfillment. By taking us through their richly inventive catalogue, Courrier illustrates how the Beatles' startling impact on popular culture built a bond with audiences that was so strong, people today continue to either cling nostalgically to it, or struggle -- and often struggle violently -- to escape its influence..
Price: $39.95 [Notify me when price goes down.]