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J.W. Waterhouse
John William Waterhouse is among the most popular Victorian artists, and many of his paintings, such as The Lady of Shalott, Hylas and the Nymphs and Ophelia, have become icons of femininity recognized the world over. With their compelling composition, glowing colour and Impressionist-inflected technique, these paintings are admired for their beauty, yet at the same time they have the power to transport the viewer into a romantic world of myth and legend. Waterhouse's depictions of female beauty reflect his age's complex and ambivalent attitudes towards women, in which Victorian ideals of sentiment and duty commingled with less noble undercurrents of erotic desire and misogyny. In this fresh and innovative study of the artist, Peter Trippi presents a new analysis of Waterhouse's seductresses, martyrs and nymphs, together with a lively discussion of the cultural and historical circumstances in which these images were painted. This authoritative volume utilizes new research to provide an accessible biography of the artist and to assess his place in the late Victorian art world. Themes explored include Waterhouse's passion for Italy, literature and the classical world, his participation in England's Royal Academy, his stylistic influences and studio practices, and the collectors, dealers, critics and curators who helped make him famous in his day. Like other Victorian artists, Waterhouse was neglected through much of the twentieth century, but as critical inhibitions have fallen away the revival of his fortune has been dramatic. Today he is again acknowledged as a master painter. Peter Trippi's monograph provides a timely re-evaluation that combines a close reading of Waterhouse's imagery with a candid appraisal of his unique talent..
Price: $19.77
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Ivy
Ivy is used to being overlooked The youngest in a family of thieves, scoundrels, and roustabouts, the girl with the flame-colored hair and odd-colored eyes is declared useless by her father from the day she is born. But that's only if you look at her but don't see. For Ivy has a quality that makes people take notice. It's more than beauty -- and it draws people toward her. Which makes her the perfect subject for an aspiring painter named Oscar Aretino Frosdick, a member of the pre-Raphaelite school of artists. Oscar is determined to make his mark on the art world, with Ivy as his model and muse. But behind Ivy's angelic looks lurk dark secrets and a troubled past -- a past that has given her an unfortunate taste for laudanum. And when treachery and jealousy surface in the Eden that is the artist's garden, Ivy must learn to be more than a pretty face if she is to survive. Julie Hearn, author of The Minister's Daughter and The Sign of the Raven, has created a memorable tale of nineteenth-century England with a character destined to take her place alongside Dickens's Pip and Oliver Twist..
Price: $8.48
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The Art of the Pre-Raphaelites
In 1848 seven inexperienced young artists banded together to form the Pre-Raphaelite Brotherhood, one of the first and most distinctive movements in modern art. A century and a half later, their art still has the power to shock, as well as fascinate, its audiences. Through detailed analysis of the materials, techniques, and working methods of the artists, this lavishly illustrated book examines how Pre-Raphaelite paintings compel the viewer to see more, and more vividly, than traditional painting styles. This intensity of observation reinforces the distinctive subject matter the the works: the natural world and the human model; gender identities and sexual relationships; and debates on politics, science, and religion. Among the artists featured are Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, Edward Burne-Jones, and Ford Maddox Brown..
Price: $22.57
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Pre-Raphaelite Painting Techniques
In this unusual book readers are given the opportunity to examine works of the Pre-Raphaelites as closely as a conservator would, and to uncover the artistic methods practiced by these painters. Combining modern scientific research, including X-ray and infrared technology, high-level magnification, and material analysis, with commentary from the letters and diaries of the artists themselves, this book explores the innovative techniques behind 20 of their extraordinary works in a way that no previously published study has attempted. In addition to extensive full-color illustrations, many of them large-scale details, this fascinating volume features texts by leading conservators that provide a historical perspective on the works and techniques in question..
Price: $7.94
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J W Waterhouse
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The Pre-Raphaelite Dream: Drawings and Paintings from the Tate Collection
The Pre-Raphaelite Dream showcases the range, virtuosity, and vision of the artists of the Pre-Raphaelite Brotherhood: Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, and Edward Burne-Jones, among others. Their familiar images are brought together here with undeservedly lesser-known paintings by major artists and works by friends or followers of the Brotherhood members, as well as exceptional but rarely seen Pre-Raphaelite drawings. The Pre-Raphaelites created one of the great revolutionary movements of 19th-century British art, rejecting both the academic dryness of classicism and the vapid sentimentality of so-called genre painting. Instead, using subjects taken from modern life, medievalism, and literature, they sought to explore such contemporary issues as gender, marriage, sex, and the fulfillment of love. Published to accompany an international traveling exhibition, this lavishly illustrated book provides a fresh look at a much-studied movement in the history of art..
Price: $22.41
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The Pre-Raphaelites
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Poetry and the Pre-Raphaelite Arts: Dante Gabriel Rossetti and William Morris
Focusing on two of the most influential figures in the Pre-Raphaelite movement, Dante Gabriel Rossetti and William Morris, this book explores new ways of considering art and literature together. Elizabeth Helsinger traces the unusually close relationship between the poetry and poetics of two poet-artists and their contemporary practice of visual art and design. Her study focuses on innovations encouraged by the interaction between the arts to reassess the importance of Pre-Raphaelitism in literary as well as art history. Using the concept of “translation” from one medium to another, Helsinger develops compelling analyses of particular works and of the shared concerns of Rossetti and Morris. She connects their aesthetic and social experiments to projects undertaken by others, and she demonstrates the impact of Pre-Raphaelite strategies on later poets and poetic theorists. Lively and illuminating, this book both offers and studies the pleasures of reading and viewing attentively. .
Price: $38.00
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