Books about Cordova from Amazon.com

Part I of The Art of Spiritual Surrender shows readers that surrender is much more powerful - and effective - than constant striving, or toughing it out at all costs. Based on wisdom drawn from the Bible and contemporary books, Cordova tells how she discovered and came to accept surrendering her own life. Part II is an inspirational collection of stories from people who have suffered everything from addictions to terminal diseases, and triumphed by surrendering..
Price: $5.98 [Notify me when price goes down.]

Viola Cordova was the first Native American woman to receive a PhD in philosophy Even as she became an expert on canonical works of traditional Western philosophy, she devoted herself to defining a Native American philosophy. Although she died prematurely of a brain aneurysm before she could complete her life’s work, some of her colleagues have organized her pioneering contributions into this provocative book.In three parts, Cordova sets out a complete Native American philosophy. First she explains her own understanding of the nature of reality itself—the origins of the world, the relation of matter and spirit, the nature of time, and the roles of culture and language in understanding all of these. She then turns to our role as residents of the Earth, arguing that we become human as we deepen our relation to our people and to our places, and as we understand the responsibilities that grow from those relationships. In the final section, she calls for a new reverence in a world where there is no distinction between the sacred and the mundane.Cordova clearly contrasts Native American beliefs with the traditions of the Enlightenment and Christianized Europeans (what she calls “Euroman” philosophy). By doing so, she leads her readers into a deeper understanding of both traditions and encourages us to question any view that claims a singular truth. From these essays—which are lucid, insightful, frequently funny, and occasionally angry—we receive a powerful new vision of how we can live with respect, reciprocity, and joy..
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When the class gerbil escapes from his cage, the children look everywhere for it and find a way to get it to return home..
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Transfer starts by acquainting crafters with the tools of the trade, such common household items as an iron and a color printer, and then suggests all sorts of surfaces for decoration -- linens, canvas, ceramics, wooden mats, glass, and cork. Design and application concepts in hand, crafters can choose from the wide variety of heat transfer projects -- personalizing cloth napkins, a canvas bag, sofa cushions, curtains and drapes; customizing dishes, ceramic tiles, wooden placemats, biscuit tins, glass jugs, and vases. .
Price: $20.00 [Notify me when price goes down.]

The First Tortilla is a moving, bilingual story of courage and discovery A small Mexican village is near starvation There is no rain, and the bean and squash plants are dying.

Jade, a young village girl, is told by a blue hummingbird to take a gift to the Mountain Spirit. Then it will send the needed rain.

Burning lava threatens her, but Jade reaches the top of the volcano. The Mountain Spirit is pleased. It allows the ants in a nearby cave to share their corn with Jade. The corn was sweet and delicious and Jade took some back to save the village.

Jade grinds the dry corn, adds water, and makes dough. She pats the masa and places it on hot stones near the fire. She has made the first tortilla. Soon the making of corn tortillas spreads throughout Mexico and beyond.

Reading level: grade 3 and up.
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In this bilingual story of faith, Don Jacobo has a dream that, in the end, is a reminder that miracles do happen. Jacobo is teaching his visiting grandson Andrés how to become a santero. Christmas is coming, snow is falling in the village, and the two are working on a carving of San Isidro, the patron saint of farmers.

The half-finished carving stands in the living room beside the two oxen and the angel that don Jacobo carved earlier in the month. The snow-covered mountains are beautiful, but the road to the village is impassable. Andrés’s parents will not be able to get to the house for the holiday, and Jacobo’s neighbor Leopoldo is desperately ill but cannot get to the hospital.

Then comes Jacobo’s dream; San Isidro is plowing with the two oxen and the angel is helping. "But we don’t plow ’til April" don Jacobo muses upon awakening. "What does it mean?" The night had been bitterly cold and don Jacobo must bundle up to go to the barn to feed his cows and chickens. As he steps outside, he can hardly believe his eyes. The snow-packed road is clear.

Rudolfo Anaya’s story of the power of faith, hope, and love will be enjoyed by readers of all ages..
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Street Level: Mark Bradford, William Cordova & Robin Rhode examines the work of three early-career contemporary artists for whom the streets of their respective cities act as fluid, living sources of inspiration. The full-color catalog accompanies the three-person exhibition on view from March 29, 2007 through July 29, 2007 at Duke University’s Nasher Museum of Art. For these artists, found objects and performative gestures help build the foundation for their art, which includes painting, works on paper, sculpture, photography, video, installation, and other mixed media. Together they reinterpret the urban vernacular to engage critical issues of class, geography, and race in contemporary society.

Mark Bradford is best known for abstract collages made largely from accumulated signage taken from the streets of South Central Los Angeles that he tears, bleaches, sands, and embellishes to reconfigure the urban landscape. These visible remains and the residual human energy in urban spaces become the foundation of Bradford’s work. William Cordova works primarily with found paper and everyday objects to create drawings and mixed-media installations; some materials and iconography—such as books, speakers, tires, and albums—are recurring images that allude both to Cordova’s Peruvian heritage and modern urban subcultures. Inspired by graffiti, film, sports, and hip-hop, as well as his personal experiences in the rough neighborhoods of Johannesburg, South Africa, Robin Rhode’s performances involve the build-up and erasure of chalk drawings on the walls of public spaces and galleries that playfully transform his renderings into illusory three-dimensional objects through the artist’s physical engagement. This richly illustrated catalog includes an essay about each artist..
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"I may have been like other boys, but there was a major difference -- my family include 80 to 100 single young men residing in a Filipino farm-labor camp. It was as a ‘campo’ boy that I first learned of my ancestral roots and the sometimes tortuous path that Filipinos took in sailing halfway around the world to the promise that was America. It was as a campo boy that I first learned the values of family, community, hard work, and education. As a campo boy, I also began to see the two faces of America, a place where Filipinos were at once welcomed and excluded, were considered equal and were discriminated against. It was a place where the values of fairness and freedom often fell short when Filipinos put them to the test." -- Peter Jamero

Peter Jamero’s story of hardship and success illuminates the experience of what he calls the "bridge generation" -- the American-born children of the Filipinos recruited as farm workers in the 1920s and 30s. Their experiences span the gap between these early immigrants and those Filipinos who owe their U.S. residency to the liberalization of immigration laws in 1965. His book is a sequel of sorts to Carlos Bulosan’s America Is in the Heart, with themes of heartbreaking struggle against racism and poverty and eventual triumph.

Jamero describes his early life in a farm-labor camp in Livingston, California, and the path that took him, through naval service and graduate school, far beyond Livingston. A longtime community activist and civic leader, Jamero describes decades of toil and progress before the Filipino community entered the sociopolitical mainstream. He shares a wealth of anecdotes and reflections from his career as an executive of health and human service programs in Sacramento, Washington, D.C., Seattle, and San Francisco..
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Asian Americans have made significant contributions to American society. This reference work celebrates the contributions of 166 distinguished Asian Americans. Most people profiled are not featured in any other biographical dictionary on noted Asian Americans. The Chinese Americans, Japanese Americans, Filipino Americans, Korean Americans, South Asian Americans (from India and Pakistan), and Southeast Asian Americans (from Cambodia, Laos, and Vietnam) profiled in this work represent more than 75 fields of endeavor. From historical figures to figure skater Michelle Kwan, this work features both prominent and less familiar individuals who have made significant contributions in their fields. A number of the contemporary subjects have given exclusive interviews for this work..
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La Acequia del Rito y la Sierra in the Mora Valley is the highest and most famous traditional irrigation system in New Mexico. It carries water up and over a mountain ridge and across a sub-continental divide, from the tributaries of the Río Grande to the immense watershed of the Mora, Canadian, Arkansas, and Mississippi Rivers. The names and stories of those who created this acequia to sustain their communities have mostly been lost and replaced by myths and legends. Now, when children ask, some parents attribute the task of moving mountains and changing the course of rivers to Juan del Oso, the stouthearted man whose father was a bear.

From the mountains of northern Spain to the Andes in South America, Spanish-speaking people have told ancient legends of Juan del Oso and his friends. In this children's tale, agriculturalist Juan Estevan Arellano and folklorist Enrique Lamadrid share a unique version of a celebrated story that has been told in northern New Mexico for centuries.

Reading level: age 10 years and up.
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