Books about Corbusier from Amazon.com

From acclaimed biographer and cultural historian, author of Balthus and Patron Saints—the first full-scale life of le Corbusier, one of the most influential, admired, and maligned architects of the twentieth century, heralded is a prophet in his lifetime, revered as a god after his death.

He was a leader of the modernist movement that sought to create better living conditions and a better society through housing concepts. He predicted the city of the future with its large, white apartment buildings in parklike settings—a move away from the turn-of-the-century industrial city, which he saw as too fussy and suffocating and believed should be torn down, including most of Paris. Irascible and caustic, tender and enthusiastic, more than a mercurial innovator, Le Corbusier was considered to be the very conscience of modern architecture.

In this first biography of the man, Nicholas Fox Weber writes about Le Corbusier the precise, mathematical, practical-minded artist whose idealism—vibrant, poetic, imaginative; discipline; and sensualism were reflected in his iconic designs and pioneering theories of architecture and urban planning.

Weber writes about Le Corbusier’s training; his coming to live and work in Paris; the ties he formed with Nehru . . . Brassaï . . . Malraux (he championed Le Corbusier’s work and commissioned a major new museum for art to be built on the outskirts of Paris) . . . Einstein . . . Matisse . . . the Steins . . . Picasso . . . Walter Gropius, and others.

We see how Le Corbusier, who appreciated goverments only for the possibility of obtaining architectural commissions, was drawn to the new Soviet Union and extolled the merits of communism (he never joined the party); and in 1928, as the possible architect of a major new building, went to Moscow, where he was hailed by Trotsky and was received at the Kremlin. Le Corbusier praised the ideas of Mussolini and worked for two years under the Vichy government, hoping to oversee new construction and urbanism throughout France. Le Corbusier believed that Hitler and Vichy rule would bring about “a marvelous transformation of society,” then renounced the doomed regime and went to work for Charles de Gaulle and his provisional government.

Weber writes about Le Corbusier’s fraught relationships with women (he remained celibate until the age of twenty-four and then often went to prostitutes); about his twenty-seven-year-long marriage to a woman who had no interest in architecture and forbade it being discussed at the dinner table; about his numerous love affairs during his marriage, including his shipboard romance with the twenty-three-year-old Josephine Baker, already a legend in Paris, whom he saw as a “pure and guileless soul.” She saw him as “irresistibly funny.” “What a shame you’re an architect!” she wrote. “You’d have made such a good partner!”

A brilliant revelation of this single-minded, elusive genius, of his extraordinary achivements and the age in which he lived.

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LE CORBUSIER LE GRAND is the only book you'll ever need on the world's most influential architect.


''He is the Leonardo of our time.'' - Eero Saarinen


''He has provided enough for a whole generation to live on.'' - Walter Gropius


''The world's greatest architect.'' - Oscar Niemeyer


''Without question No. 1.'' - Philip Johnson


Le Corbusier (1887-1965) is known as of one of the giants of twentieth-century architecture and design. The Swiss-born, self-named architect was not only the creator of some of the most impressive buildings of the last century, he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force today, and his elegant manner, typified by his iconic round black eyeglasses, is still the signature look for architects around the world. Only a book grand in size could encapsulate such a legendary figure.

Phaidon Press is pleased to announce the publication of LE CORBUSIER LE GRAND, a spectacular visual biography of the life and work of the father of Modern architecture. Weighing in at 20 pounds, this massive book is packed with 2,000 images and documents, many rare or previously unpublished. Drawing on an array of archival materials, this sumptuous volume depicts not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of a man who continues to fascinate those in and outside the architectural world.


LE CORBUSIER LE GRAND follows the same dramatically oversized design of the critically acclaimed Andy Warhol Giant Size (Phaidon, 2006). The large format enables the reader to explore in detail a myriad of fascinating photographs, letters, personal correspondence, art works, notes, press clippings, sketches, and ephemera all featured in this one of a kind publication. The rarely seen photographs and correspondence shed new light on Le Corbusier's relationships with Josephine Baker, Eileen Gray, Fernand Léger, Pablo Picasso, and many others. A separate booklet includes transcriptions and translations (from French to English) of all featured documents.

LE CORBUSIER LE GRAND includes an insightful introductory essay by Jean-Louis Cohen, one of the world's most authoritative architectural historians, and incisive chapter introductions by Tim Benton, a highly regarded Le Corbusier scholar. This luxurious book is a striking addition to any coffee table, making it an extraordinary gift for anyone with an interest in art, architecture, or design..
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This pioneering proclamation by the great architect expounds Le Corbusier’s technical and aesthetic theories, views on industry, economics, the relation of form to function, "mass-production spirit," and much more. Profusely illustrated with over 200 line drawings and photographs of Le Corbusier’s buildings and other important structures.
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Architectural poetry in the machine age

Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L’Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it wasn’t until after World War II that his epoch-making buildings were constructed, such as the Unité d’Habitation in Marseilles and the Church of Notre Dame du Haut in Ronchamp..
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Published in 1923, Toward an Architecture had an immediate impact on architects throughout Europe and remains a foundational text for students and professionals. Le Corbusier urges readers to cease thinking of architecture as a matter of historical styles and instead open their eyes to the modern world. Simultaneously a historian, critic, and prophet, he provocatively juxtaposes views of classical Greece and Renaissance Rome with images of airplanes, cars, and ocean liners. Le Corbusier's slogans--such as "the house is a machine for living in"--and philosophy changed how his contemporaries saw the relationship between architecture, technology, and history. This edition includes a new translation of the original text, a scholarly introduction, and background notes that illuminate the text and illustrations..
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Die acht Bände dieser außergewöhnlichen Edition, die zwischen 1929 und 1970 veröffentlicht wurde und seit dem immer wieder nachgedruckt wurde, dokumentiert die große Bandbreite des Werks von Le Corbusier. Sie dokumentieren das Werk des einflussreichsten Architekten des 20. Jahrhunderts. In direkter Zusammenarbeit mit Le Corbusier in über 40 Jahren entstanden, bildet das Set eine einzigartige und erschöpfende Bestandsaufnahme seiner Gebäude, Projekte, Skizzenhefte, Manifeste, Zeichnungen und Texte, welche die Welt der Architektur nachhaltig verändert haben..
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In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as "Modulor". Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, Modulor is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier's most notable buildings, including the Chapel at Ronchamp and the Unité d'habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier's theoretical writings..
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This important work fills a major lacuna in the literature by bringing together, for the first time, all the texts relating to architecture by the multi-faceted Xenakis, who worked with Le Corbusier for 12 years. Sharon Kanach assisted the composer in gathering the texts for this, his last ambitious project. Her commentary throughout the book seeks to bridge the reciprocal influences between music and architecture in the Xenakis oeuvre.
The volume is organized into four main subject headings: The Le Corbusier Years, Xenakis as Independent Architect, Writings on Architecture, and The Polytopes. Three major appendices comprise: An up-to-date and annotated bibliography of writings by and on Xenakis by Makis Solomos; a critical index of Xenakis's architecture by Sven Sterken; and a comparative chronology of Xenakis's life and work by Sharon Kanach..
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Le Corbusier is probably the most famous and certainly the most controversial architect of the twentieth century. His impact on the urban fabric around us and on the way we live has been gigantic because of the richness and variety of his work and his passionately expressed philosophy of architecture. Weaving through his long and prolific life are certain recurrent themes—his perennial drive toward new types of dwelling, from the early white villas to the Unité d'Habitation at Marseille; his evolving concepts of urban form, including the Plan Voisin of 1925 with its cruciform towers imposed on the city of Paris and his work at Chandigarh in India; and his belief in a new technocratic order. The distinguished critic and historian Kenneth Frampton reexamines all these facets of his artistic and philosophical worldview in the light of recent discoveries, and presents us with a Le Corbusier for the twenty-first century. 200 b/w illustrations..
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