Books about Coquette from Amazon.com

Written in epistolary form and drawn from actual events, The Power of Sympathy (1789) and The Coquette (1797) were two of the earliest novels published in America William Hill Brown's The Power of Sympathy reflects eighteenth-century America's preoccupation with the role of women as safekeepers of the country's morality. A novel about the dangers of succumbing to sexual temptations and the rewards of resistance, it was meant to promote women's moral rectitude, and the letters through which the story is told are filled with advice on the proper relationships between the sexes. Like The Power of Sympathy, Hannah Webster Foster's The Coquette is concerned with womanly virtue. Eliza Wharton is eager to enjoy a bit of freedom before settling down to domestic life and begins a flirtation with the handsome, rakish Sanford. Their letters trace their relationship from its romantic beginnings to the transgression that inevitably brings their exclusion from proper society. In her Introduction, Carla Mulford discusses the novels' importance in the development of American literature and as vivid reflections of the goal to establish a secure republic built on the virtue of its citizens..
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The Coquette tells the much-publicized story of the seduction and death of Elizabeth Whitman, a poet from Hartford, Connecticut Written as a series of letters - between the heroine and her friends and lovers - it describes her long, tortuous courtship by two men, neither of whom perfectly suits her. Eliza Wharton (as Whitman is called in the novel) wavers between Major Sanford, a charming but insincere man, and the Reverend Boyer, a bore who wants to marry her. When, in her mid-30s, Wharton finds herself suddenly abandoned when both men marry other women, she willfully enters into an adulterous relationship with Sanford and becomes pregnant. Alone and dejected, she dies in childbirth at a roadside inn. Eliza Wharton, whose real-life counterpart was distantly related to Hannah Foster's husband, was one of the first women in American fiction to emerge as a real person facing a dilemma in her life. In her Introduction, Davidson discusses the parallels between Elizabeth Whitman and the fictional Eliza Wharton. She shows the limitations placed on women in the 18th century and the attempts of one woman to rebel against those limitations..
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Eliza is a tease who inevitably ruins her life with her actions Eliza is engaged to a rich old man who dies while in her care. She is now single and has no intention of ever getting married. She is torn between a young minister and a suitor with less than moral intentions. Who will she choose and what will the consequences be for her?.
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This is a collection of nine original essays selected and edited with a twofold aim: to establish the parameters of coquetry as it was defined and represented in the long eighteenth century, and to reconsider this traditional figure in light of recent work in cultural and gender studies. The essays provide analysis of lesser-known works, examine the depiction of the coquette in popular culture, explore the importance of coquetry as a contemporary term applicable to men as well as women, and amplify current theorization of the coquette. By bringing together the diverse contexts and genres in which the figure of the coquette is articulated - drama, art, fiction, life-writing - "Refiguring the Coquette" offers alternative perspectives on this central figure in eighteenth-century culture. Shelley King is an Associate Professor in the Department of English Language and Literature at Queen's University. Yael Schlick is Associate Adjunct Professor at Queen's University..
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